& # 8217 ; Casey And Suffering Essay, Research Paper
How does Sean O & # 8217 ; Casey make the audience appreciate that the problems of the universe are caused by work forces and that adult females pay the monetary value of enduring? In this essay, I shall be analyzing the character and actions of some of the males in the drama. This will enable me to so measure the impact which each of them have on their female opposite numbers. I think that this quotation mark summarises one of the chief subjects of the drama & # 8211 ; Act III line 722 Juno & # 8220 ; Ah, what can God make agen the stupidity o & # 8217 ; work forces? & # 8221 ; First of all, I shall analyze the defects in the character of Boyle, and how he affects the lives of Mrs. Madigan, Juno Boyle, and Mary Boyle. . . Boyle Boyle is invariably wears Juno down. He saps her strength, and makes her life a wretchedness. Juno has to hunt Boyle from the clip when he arrives back from Always messing her about. Juno is ne’er shore of when he will come waltzing in from off the street ( drunk most likely ) & # 8211 ; Act I lines 49 & # 8211 ; 50 Mrs. Boyle & # 8220 ; Oh, he & # 8217 ; ll come in when he likes ; struttin & # 8217 ; about the town like a paycock with Joxer, I suppose. & # 8221 ; The proclamation that some money was come ining the Boyle household prompted Bolyes selfishness to travel into overdrive. Although the Boyle household had non received the first check, Boyle still continued to pass and sprinkle out on expensive nutrient and goods by borrowing off & # 8216 ; friends & # 8217 ; and neighbours & # 8217 ; . Juno though is a little more cautious and advises her hubby to halt disbursement the money, merely until the first check arrives. Subsequently on in the drama when Boyle realises the money is non decorating it with it & # 8217 ; s presence, Juno is put under farther emotional emphasis as one more problem is piled up on the already disastrously immense pile. This all because of the stupidity of Boyle. Sensibly Juno after supporting Boyle for many, many old ages packs up and leaves along with Mary. This leaves Boyle bearing the brunt of his stupidity, but that is another narrative. Due to Boyles indolence and obstinacy he will non derive employment and neither does he desire excessively. This puts farther strain on Juno and her rewards as he drinks and possibly gambles it off. May be it is the drink that makes him like this? Merely Sean O & # 8217 ; Casey knows & # 8211 ; Act I lines 413 & # 8211 ; 414, 419 & # 8211 ; 421, 423 & # 8211 ; 424 Mrs. Boyle & # 8220 ; It & # 8217 ; s marvelous that whenever he scents a occupation in forepart of him, his legs Begin to neglect him! & # 8221 ; Boyle & # 8220 ; How d & # 8217 ; ye anticipate me to be able to travel up a ladder with these legs? An, if I get up aself, how am I goin & # 8217 ; to acquire down agen? & # 8221 ; Mrs. Boyle & # 8220 ; You can & # 8217 ; t mount a laddher, but you can jump like a caprine animal into a cubby! & # 8221 ; Boyle, uncaring to all of his disrespectful household, ( I wonder why ) particularly towards Mary and Juno & # 8211 ; Act III line 391 Mrs. Boyle & # 8220 ; You & # 8217 ; ll state nothin & # 8217 ; to her, Jack ; of all time since she left school she & # 8217 ; s earned her livin & # 8217 ; , an & # 8217 ; your fatherly attention ne’er throubled the hapless girl. & # 8221 ; At the lone point in the drama when Mary urgently needed support due to grounds associating to her gestation, Boyle had merely vindictive words which were full of indifference and hatred. He had no positive ideas for her. Most work forces would hold seen Mary through this position, but unluckily this was the manner work forces thought in those troubled times. The two thousand lbs heritage was most likely the accelerator which initiated Boyle & # 8217 ; s selfishness in the latter half of the drama. Either the heritage doing him experience good or bad it prompted some kind of stupid behavior. From the point when Boyle learned that he was to inherit some money, to the clip when he discovered the truth about the money, he was affected in a drastic manner and he in bend, affected his household. Johnny Johnny uses his hurts and supposed & # 8220 ; sickness & # 8221 ; as an alibi to do other people run about after him and make things for him, such as his inquiring Juno for a glass of H2O when he could merely hold good acquire it for himself. & # 8211 ; Act I lines 81 & # 8211 ; 83 Voice of Johnny & # 8220 ; Mother! & # 8221 ; Mrs. Boyle & # 8220 ; Yis? & # 8221 ; Voice of Johnny & # 8220 ; Bring us in a dhrink O & # 8217 ; wather. & # 8221 ; Johnny is by and large crabbed towards his female parent, invariably inquiring her to make little undertakings for him such as, & # 8211 ; Act II lines 649 & # 8211 ; 650 Johnny & # 8220 ; Are yous goin to set on Thursday & # 8217 ; gramophone tonight, or are yous non? & # 8221 ; This wears Juno down, makes her more cranky, and ensures she is about ever in a bad frame of head. Johnny causes Mrs. Tancred a batch of heartache, even though she doesn & # 8217 ; T know he killed her boy out of green-eyed monster and malice. ( Johnny was a quartermaster, and Tancred the Commandant ) . & # 8211 ; Act I lines 34 & # 8211 ; 35, 50 & # 8211 ; 60 Mary ( looking at the paper ) & # 8220 ; On a small bye-road, out beyant Finglas, he was found. & # 8221 ; & # 8212 ; Mrs. Boyle. . . & # 8221 ; I hear all about Mrs. Tancred & # 8217 ; s boy in this mornin & # 8217 ; s paper. & # 8221 ; Mary & # 8220 ; The full inside informations are in it this mornin & # 8217 ; ; severe wounds he had & # 8211 ; one entherin & # 8217 ; the cervix, with an issue lesion beneath the left shoulder-blade ; another in the left chest penethratin & # 8217 ; the bosom, an & # 8217 ; . . . & # 8221 ; Johnny ( jumping up from the fire ) . & # 8220 ; Oh, quit that readin & # 8217 ; , for God & # 8217 ; s sake! Are yous losin & # 8217 ; all your feelin & # 8217 ; s? It & # 8217 ; ll shortly be that none of jous & # 8216 ; ll read anythin & # 8217 ; that & # 8217 ; s non about butcherin & # 8217 ; ! & # 8221 ; Johnny is
another man who relies on a woman to bring to him all that he needs. He relies on Juno to shield him from his own immense guilt when he imagines that he sees Tancred (Robbie) – the man he murdered), kneeling before the statue of St. Anthony in his room with the – Act II, lines 287-288, lines 288-289 Johnny . . .”wouns bleedin’ in his breast” “Oh, why did he look at me like that?” again, more guilt showing. “Mother o’ God, keep him away from me.” Notice Johnny doesn’t call up to God Almighty or Jesus Christ – both males, but to the ‘Mother o’ God’. Here, Johnny is Calling up to God, but this is also a cry for help to his mother, Juno. Johnny cries – Act III, lines 630 – 631 Johnny “Mother o’ God, the light’s afther goin’ out! This is another cry for help, also addressed to the Mother of God, and not to then other possibilities outlined above. Johnny is a very insensitive individual towards most other people in the play that he encounters. Take Mary’s pregnancy as an example of this. Johnny says, – Act III, lines 416-417 Johnny “She should be dhriven out o’ th’ house, she’s brought disgrace on!” Johnny demonstrates his insensitivity further when he blames the fact that the furniture has been taken away on poor Mary. She must have been in a complete state of turmoil, expecting her life to be in tatters. Johnny makes her take another great load on her shoulders – Act III, lines 619 – 623 Johnny “Oh, isn’t this terrible! . . . I suppose you told him everything. . . couldn’t you have waited for a few days? . . . he’d have stopped th’ takin’ of the things, if you’d kep your mouth shut. Are you burnin’ to tell everyone of the shame you’ve brought on us?” Jerry Devine Jerry Devine deserts Mary when he learns that she’s pregnant. He displays the same narrow-minded morals and attitudes as Johnny Boyle and the “Captain” (Jack Boyle). All of his high-sounding ideals do nothing for Mary in her time of greatest need. Jerry Devine speaks a lot of empty words – Act III, lines 546 – 548, and lines 571 – 575 Jerry “Your mother has told me everything, Mary, and I have come to tell you, Mary, that my love for you is greater and deeper than ever. . .” — Jerry (poignantly) “Surely to God, Mary, you don’t mean that. . . that. . . that” Mary “Now you know all, Jerry; now you know all!” Jerry “My God, Mary, have you fallen as low as that?” Mary “Yes, Jerry, as you say, I have fallen as low as all that.” A quote from the time before Jerry had learnt that Mary was pregnant – Act I, lines 466 – 468 Jerry “The job’s worth three hundred an’ fifty pounds a year, Mary. You an’ I could live nice an’ cosily on that; it would lift you out o’ this place an’. . .” Joxer Joxer does not bring about any direct influence on any of the characters in the play, but aids Boyle in his ways. He is a terrible weight on Boyle’s shoulder (Boyle is too dense to notice this) and at the heart of Boyle’s troubles is Joxer, always stirring things up – Act I lines 194 – 198 Mrs. Boyle “There’ll never be any good got out o’ him so long as he goes with that shouldher-shruggin’ Joxer. I killin’ meself workin’, an’ he sthruttin’ about from mornin’ till night like a paycock!” Bentham The Rough Voice The owner of the voice doesn’t appreciate that Juno and Mary need time to digest the news that Johnny is dead before coming to see him – Act III, lines 735 -736 Rough voice from below “Are yous goin’ to keep us waitin’ for yous all night?” I believe that this symbolises the arrogance of men, and their attitude of impatience towards the women of Ireland at that time. Both plays involve some form of sacrifice made by the women of the story. In “Juno and the Paycock” , Mary loses much of her social integrity and credibility to Bentham when she becomes pregnant, and in “Shadow of a Gunman” , Minnie Powell loses her life for Donal Dovoran, her sweetheart, who was won under false pretences, by her running away and out of Donal’s dwelling with a case which was full of hand grenades (Mill’s bombs). She (Minnie Powell) was then caught, thereby freeing Donal of any slight implication. Minnie was later executed by the “Black an’ Tans”, a group of fiercely Protestant Scotsmen. She didn’t just lose her social credibility, but she lost her life. There are also very clear similarities between Adolphus Grigson and his wife, and Jack Boyle, and his wife Juno. Adolphus is a poseur, and a wife – beater, while Jack Boyle isn’t much better. Boyle too is a poseur, and although he doesn’t actually beat his wife, he worries her a great deal, and causes her a lot of anxiety. He also ruins the remainder of whatever life which she might have possessed. Mrs. Grigson represents the oppressed female of the story in “Shadow of a Gunman”, and Juno does to a much greater extent in “Juno and the Paycock”. A contrasting point though is that women are the heroines in each of the two plays. What is also very interesting is that a male actually composed “Juno and the Paycock”, and not a member of the opposite sex, as one might well imagine.