And this serves as my sum-up of the fresh Mine Boy. a narrative about love and race published two old ages before the official execution of apartheid in South Africa in 1948. but which highlights the racial favoritism and biass that existed in South African society at the clip. We follow Xuma. who has migrated from his small town in the North to Johannesburg in hunt of a occupation in the mines. as he goes through one grief after another. The book opens with his entry into Johannesburg where he was spotted and taken into the abode of the benevolent Leah. at Malay Camp. one of several sprawling black merely quarters devoid of societal comfortss. This gesture is common in most African societies. where people are obliged. by tradition. to assist one another. particularly those who have travelled from afar. known and unknown.
After Leah got to cognize the intent of Xuma’s migration he offered him a occupation which he declined. subtly. choosing for a occupation in the mines because ‘it is a man’s work’ even after he had been informed that the mineworkers ‘cough and so ptyalize blood and go weak and die’ . Leah was a Skokiaan Queen covering in locally-brewed beer. a merchandise that has been banned. of which a perpetrator could function a gaol term if arrested. Ibrahims used something every bit simple as beer to demo how profoundly divided the society was at the clip.
For as we read subsequently when Xuma has become cognizant of the ‘ways of the city’ . he questioned Why is it incorrect if Leah sells beer and right if a white individual sells beer? ( Page 168 ) In malice of this. Leah provided for Xuma until he got a occupation at the mines as a Boss Boy for Paddy ( or the Red One ) . after he was introduced by Johannes. Lena’s ‘man’ who is ‘loud and braggart and chesty and told the universe that he was J. P. Williamson and he would oppress any sonofabitch’ when rummy and the 1 who is ‘quiet and retiring and soft spoken … Gentle as a lamb and apparently ashamed of his great size and strength’ when sober. Johannes debut as a character and his behavior is really metaphorical. It’s about parallel to the workings of the read Johannesburg society. non happening itself. drawn by two opposing political orientations: inkinesss are worlds vs inkinesss are non.
At the abode of Leah. at Malay Camp. are Maisy – the sprightly lady who made Xuma laughed even when he doesn’t want to ; Eliza – who love the things of the Whites ; Daddy – the always-drunk adult male who was one time a respected and affluent adult male. took Leah into his abode and catered for her until he began to asseverate his rights and mobilise people to make same ; Lena who had educated kids but worked with Leah ; and Ma Plank a worker at Leah’s topographic point. Xuma fell in love with Eliza but Eliza is puzzling. She wants the things she knows she could non hold.
She wants the things of the white adult male and this made her unhappy and this unhappiness Federal into her relationship with Xuma. loving him and ‘unloving’ him at the same clip. So that sometimes she would volitionally make up one’s mind to be with him merely to go forth a few seconds subsequently. The ‘madness of the metropolis. that had affected her temper caused it to swing from one extreme to the other stochastically. But Maisy besides loved Xuma and made him smile. The psychological quandary. the torture of desiring and non holding. or necessitating and cognizing no affair how hard you work at it you merely would non accomplish it plays out good. However. it could besides be a mentally embedded political orientation profoundly seated in the heads of the indigens for there were inkinesss who had what the white work forces had.
Merely when Xuma thought all was good with him. after Eliza had asked him to take her as ‘his woman’ . things began to fall apart. First Daddy died after he was knocked down by a auto. so Eliza ‘went on a long train journey’ from which ‘she will non return’ . Then. Leah who had been corrupting some police officers for information on their activities. was trapped and arrested. Thus. one time the major tree was cut the birds had to go forth and so all the people at Leah’s abode left. Xuma became devastated at the apprehension and gaol of Leah to the hurt of his work at the mine. Paddy holding noticed Xuma’s devastation attempted to absorb some activism into him.
However. this activism was to rise up its caput when Johannes and his white maestro. Christian. died underground in the mines. Xuma and Paddy led a presentation against the mine director. bespeaking that the job be solved before they go in and work. The constabulary were called in to consequence the apprehension of the dramatic mineworkers. One by one the visible radiations of Malay Camp were turned out. One by one Vrededorp and the other dark topographic points of Johannesburg. of South Africa. were turned out. The streets were empty. The propensity. tired houses were quiet. Merely shadows moved everyplace. Merely the quiet busyness of the dark hung over the metropolis. Over Vrededorp. Over Malay Camp.
Regarded as the first modern novel of Black South Africa. the novel is told from the point of position of Xuma. his travails become ours and his griefs excessively. By utilizing the simple and mundane life of Black South Africans. Abrahams showed us how racism ( or apartheid ) had become endemic in South African society so that from birth to deaths one is discriminated against. It is believed that this was one of the first books to expose universally the status of black South Africans under a white government. And yet the writer ne’er exhibited hatred in his narrative for there were sympathetic Whites every bit good as abhorrent inkinesss. He propounded the ‘man first’ political orientation. as explained by Paddy to Xuma.